The Picture in the Picture.

Good evening to you,

So, this is something I always love to see. When we went to the National Gallery of Art in Tirana we were browsing through the paintings and sculptures, most of them with a socialist and communist theme.

One painting although caught my eye. And it wasn't because I thought it was espeacially beautiful, but something about it seemed familiar. Then I saw what it was. In the first room I had allready seen a picture which was now included in the picture I was now looking at.

So this is the painting I was looking at. "Në studio" which means in the studio was created 1979 by Vilson Kilica, an Albanian painter. He was also the first director of the Academy of Arts in Tirana, the capital of Albania, in 1966. So, back to my discovery. Here you see a painting which shows us the studio of a painter, who is also shown here, most probably Kilica himself. He is working on a piece and there are numerous other paintings hanging on the wall. There is also another man in the painting who takes up most of the space but that wasn't what I saw first. My eye immediately went to the landscape painting in the middle of the picture. The first of the three.

It seemed familar and indeed it was. 20 minutes earlier I had seen that exact painting in another wing of the museum.

It's a painting by Vangjush Mio (1891-1957), named "Sigeni i Pogradecit" which means the lake of Progradec. Mio is one of the most known Albanian artists and he is also known as the first impressionist painter of Albania. And indeed there are lots of parallels to the famous impressionists like Monet and Cezanne. The theme of the landscape, the light, dusty coloration, the characteristic style. 

So, this painting, now at the Gallery here in Tirana, was most probably in the studio of Kilica. Of course the frame changed, but it is the same picture here as it is in the painting. Isn't that great? The artist as a collector - love it!

Onufri 2012/2013

Hey again, readers.

When I was in Tirana, I was lucky enough to get a chance to see the recurring artshow the National Gallery of Albania (NGA) hosts every year. "Onufri" in its 19th edition was curated by the Italian Daniele Capra under his chosen theme "Perchance to Dream" - a verse from Hamlets famous soliloquy by Shakespeare.

Capra has chosen this title because, according to him, there is a noticeable correspondance between an anguished and confused Hamlet found in a difficult personal circumstance yet, regardless, finds strength to think philosophically about the world and its enigmas. According to Capra the Albanian artists challenge and defy the difficult everyday reality, managing to offer personal solutions.

It was set up like every current artshow. A big open room, white walls and sporadic placement of the artpieces. There were mixed media sculputures, videos, paintings, photographs, drawings... So basically everything you can wish for. The pieces were nice, although I couldn't really find the connection to the theme of the exhibition.

I really liked the photographs by Mariana Kostandini.

"Pa titul"

"Eve"

I didn't really know what to make of them though, and even after contemplating the photographs with the theme of the exhibition in mind I could only come up with this: I think the artist chose to show us how not to use a couch, which could correspond with the theme. It's funny and of course you can apply the "couch-theme" to a bigger scale where the couch could represent something else, like a government, an institution, anything really. But then again, I don't really know and I feel like I'm leaning far out the window here. But besides the difficulty of finding out what they mean, I found the photos aesthetically pleasing and humorous. Great compositions.