National Gallery of Zimbabwe in Bulawayo

Hello dear ones,

I did allready talk about Bulawayo, an artist from there and the National Gallery in Bulawayo. But I never took the time to actually talk about the building the museum is housed in.

It is one of the oldest original buildings still used in Bulawayo. It is called the Douslin House after its architect William Douslin.

After water and electricity became available in Bulawayo on June 1898 and the railway reached the city in 1897 an economical boom occured. Spaces for shops and offices were needed. The Douslin House, formerly known as the Willoughby's Building was finished in 1901 and then opened for business. The Bulawayo Art Gallery purchased the building in September 1980 when the museum officially opened. The history of the building is documented extraordinarily well through original plans, letters from involved people like landlords, architects and funders aswell through local newspapers like the Bulawayo Chronicle.

But now to the building itself. The imposing principal entrance to the building is in Main Street. There is a portico decorated with beautiful moulded cornices, pillars, an impressive pressed metal ceiling. The front doors have elaborate brass fingerplates. The entrance hall is similarly decorated. There, a magnificent staircase gives way to the first floor. The newel and banisters posts are of Burma teak and walnut, with the newel posts being beautifully carved. 

The skirting throughout the building is of generous proportions and the offices also have decorative moulded cornices. The doors are said to be of Burma teak. The handles are brass with brass fingerplates.

Like the National Gallery in Harare the Gallery in Bulawayo is a state institution. All the actions, events and exhibitions must be approved by the state which can sometimes lead to conflict. When I visited the Gallery the current exhibition was closed down, since it didn't agree with the "rules" of the state. I guess it was critical to the current state of the country or portrayed political issues very harshly. I can't tell, I didn't see it. I could only sneak a peak and id did seems pretty violent, mostly because of the red and black colors and the red walls. 

But the National Gallery in Bulawayo is an outstanding institution, no doubt about it. Here its statement released from the management:

"At the National Gallery in Bulawayo, we are tasked with the creative and intellectual discipline to select, to nurture and commend outstanding works of visual art, to select and display pivotal works, to generate and improve upon existing talent, to train and develop artistic skills, to educate, to empower, to mediate, and mostly to celebrate."

Not the Jeans...

Good Morning,

I think it‘s really important, especially for galeries, that they have an interesting display or poster or some sort of eyecatcher in their windows or doors. If you don‘t notice something special about a place, or don‘t even notice that it‘s a galery, the galery is doing something wrong.

So when I was walking through the city and I noticed these wonderful photographs in the window, I was instantly intrigued. Maybe also because the name next to the photo was a name I knew. 

But it wasn‘t a name I came across in my endeavors in art, but in my other field of study - social anthropology. 

The name Lévi-Strauss, for most people, means a famous brand of jeans-wear. But every anthropologist associates something else with that name. Claude Lévi-Strauss was a famous sociologist and ethnologist in the 20th century, who died recently in 2009 at the age of 101 years. 

In this lifetime he undertook many explorations, mostly to southern America. Brasil was frequently visited by Lévi-Strauss and his associates for research where he also took the photographs which were on display at the „Defacto la Gallery“- Galery. The title of the exposition was „Mondes Perdus“ and it displayed all pictures he took during a reserach trip where he tried to find out, how the technical progress and urbanisation influences and changes the life and agriculture of the indigenous farmers in Brasil. All the pictures were taken by a Leica camera and most of them are portraits of indigenous people living in the rainforest.

The photos were beautiful and very expressive, an effect that was enhanced through the black and white-styled pictures. My dad would have loved the exposition. Simple, expressive photos. 

That's quite Noble.

Hello Readers,

Once again, I would take some time and bring you closer to a rather contemporary artist I've grown fond of. His name is Paul Noble and I've come across his work, which is mainly drawing and sculpture back in Switzerland when I had a seminar about Hollands surrealist scene. Noble participated in an exhibition under a similar titel.

Noble is a british visual artist, born in 1963. He lives and works in London and allready had multiple shows all over the world. He's also represented in some galeries,  including the one here in Paris that I visited to see some of his works.

I was in particular interested in this piece, called "The Egg" for obvious reasons from 2004. It is huge and its pencil on jesmonite, a composite material used in fine arts.

It's covered with small sections which, at first sight appear quite cute, because it's mostly animal doing funny things, wearing funny clothes. Like these squares:

But then you look closer and see that the scenes are actually quite horrible. Like the one above the boxing moles, where a human gets shreddered in a mincer. With every look you see these cute animals doing horrible things to people. But only things, that people also do with/to animals. For example grind them up for meat and food or use them as guides, helpers, slaves... Like the fox using a man as, i guess, a seeing-eye-human. 

Noble touches ground with surrealism, is witty, portrays questions of everyday life and double standards in a funny way, that is also quite shocking if you bother to look twice. 

Come very close!

Oh hey there you are,

I just want to tell you about an artist I discovered for myself real quick. His name is Oscar Camilo de las Flores and he is a mexican artist born in 1974.

I saw his works in the Collection of the Museum Boijmans Van Beuningen which is on tour right now with their contemporary surrealistic drawings.

There were four independent works that made a series. They were drawn on paper with a regular pen and ink. The works range from 2008 to 2009.

So first of all here is how it looks from far away:

Then like this:

And now some details:

Obviously I took details of comics - because I love comics. But you can really see the skill and time the artist used to create these works. The detail, the finesse and the style is just incredible. You can really see the surrealistic tendencies since your automatic imagination gets triggered the moment you look at the drawings of de la Flores. The themes are linked to the history of his country, art history and modern societies problems. It's very dark and grottesque which fits perfectly to the trend of art right now whilst the works are in the surrealist tradition. Very interesting, this artist.

Marc Fornes times three

Heya fans of culture,

I‘ve come across this one artist several times now! 

Marc Fornes is actually an architect which you can almost guess by his insane pieces.

He does installations, mostly in metal or aluminium, that look like crazy computerized actual real shapes or very modern corrals. Well, at least that is my opinion. He is a genius in engineering as you can clearly tell by the way his pieces are constructed. 

I saw the first piece by him as I was walking through the streets of Paris through the window of Inception Gallery.

Then again, I came across a wonderful black and white piece by him at Art Paris 2012 and  I even got photographed infront of it, because my outfit matched. And then, finally I found an installation by him at Centre Pompidou which finally gave me the push I needed to do some research. Because every time I was very intrigued and amazed by the engenius construction!

Fornes himself describes his works and process in these specific terms:

”Explicit and Encoded”, “Precise Indetermination”, “Progressive Geometry” all seeking “Unconventional Futures”.

It seems like his constructions are huge 3D optical illusions, since they are mostly just in two or three colors and very fluent and organic in shape. Which is of course in contrast with the very sturdy and strong materials and the studded construction. 

You can't really tell with these pictures, but the pieces are huge!!

Dark Art Paris 2012 in a Light Grand Palais

Hey Fun-Friends,

This year the Grand Palais was host to one of the most famous artshows in France and maybe the world. Art Paris was/is back in town!!

A place where the leading galleries and institutions display the current trends and the upandcoming new artists! What a marvel. Plus, the Grand Palais is just unbelievable in beauty of construction! Me and my enthusiastic friend managed to find a time where we both could make it so we ended up going two hours before it closed. That decision ended up to be very smart since almost everyone had gone home allready and the eveningsun flooded the entire glass-covered Palais.

The beauty of the setting wasn‘t displayed in the works though. The art was mostly very gloomy, dark and scary with a strong hint of voyeurism. At some point you even get turned into one yourself:

You felt observed and followed and the works were dark and frightening. There was a lot of deconstruction of images aswell and ugly materials like trash and old iron made into new pieces of art. If you really want to call them that.

There were some colorful and pop-arty works, which makes sense because neon-colors aren‘t only in style in fashion right now, but also in art, but there was always a certain edge to them. For example this galery who displays an artist who took violant themes, like guns and munition and turned them pretty.

But overall it was still a beautiful artfair with beautiful pieces and a strong fotorealism and sculpture trend.